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FANTASIAS DE TELEMANN PDF

Page 1. Page 2. Page 3. Page 4. Page 5. Page 6. Page 7. Page 8. Page 9. Page Page Page Page Page Page Page Page Page Telemann Fantasias: a feat of ingenuity and inspiration examples for flute such as Schickhardt’s L’Alphabet de la Musique, twenty-four sonatas in all major. ANTÔNIO CARLOS PORTELA DA SILVA first three of Telemann’s 12 Fantasias for Solo Flute. . ii) Revised edition of Telemann Fantasias 1, 2 and 3.

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Don’t show me this message again. Views Read Edit View history. While the first two sets of solo fantasias were known and reprinted several times, the set for viol was lost.

In the s, he became very interested in the possibilities of writing for a solo instrument without any bass. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Naxos Javascript not enabled. He exploits the character and the possibilities of each key, using more chords in the home keys—G, D, C and so on—and employing a more melodic style in those more remote keys.

Perhaps he already had Jean-Baptiste Antoine Forqueray in mind when composing these fantasies?

12 Fantasias for Solo Flute (Telemann) – Wikipedia

There are two ways to view the overall structure of the collection: Another was proposed by scholar Wolfgang Hirschmann—there are four modal groups of three fantasias: It was developed from the vihuela, an ancestor also of the guitar, in Spain in the last part of fifteenth century, and came to Italy in with the election of the second of the Borgia popes, Alexander VI.

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This article needs additional citations for verification. Telemann’s solo flute fantasias are alone in the Baroque repertoire to include movements seemingly impossible on flute: Telemann has a reputation—and an oddly negative one—for being almost pathologically prolific. Problems playing this file? And he included a sonata for solo viola da gamba, very idiomatically conceived for the instrument and surely a model for telemqnn twelve fantasias.

Retrieved from ” https: And when he travelled to France in to present these works, he was cantasias at the abilities of the great French virtuosos who played them: Performer Pages Tokinori Yanagita baroque flute.

July Total duration: Please obey the copyright laws of your country. Unsourced material may be challenged and removed. Not only did he write the music, but he personally engraved the plates as well, claiming he could complete nine or ten a day.

12 Fantasias for Solo Violin (Telemann)

Initially, this new instrument played vocal polyphony in consorts of three, four, five and six parts, perhaps from the newly invigorated printing of music in Venice by Petrucci. Creative Commons Attribution-NonCommercial 4. This page was last edited on 9 Novemberat By using this site, you agree to the Terms of Use and Privacy Policy.

Creative Commons Attribution Share Alike 3. In it was announced that it had been found and that a new publication would be issued the following year, together with a recording; and they were first performed during the Mecklenburg Telemann Festival in March The collection is arranged by keyprogressing more or less stepwise from A major to G minor. In Telemann had started the first music periodical, Der getreue Music-Meisterwhich appeared every fourteen days, and which contained all sorts of music, not all of it by Telemann.

It is remarkable that the solo bass viol, already having such a large repertory without mentioning the chamber music or the consort music finds itself enriched even more with a large body of important and excellent works by a leading composer of the high baroque.

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It is one of Telemann’s collections of music for unaccompanied instruments, the others being twelve fantasias for solo flute and thirty-six for solo harpsichord that were published in Hamburg in —33, as well as a set of twelve fantasias for solo viola da gamba that was published in the same city inbut were considered lost until a copy of the print was found in a private collection in by viola da gamba player and musicologist Thomas Fritzsch.

Retrieved from ” http: Creative Commons Attribution 3. And what works they are!

But Its potential as a solo instrument was quickly realised and the first publication of solo music came in in Venice. Telemsnn extant copy of the publication, conserved in Brussels, has a spurious title page reading Fantasie per il Violino senza Basso Fantasias for Solo Violin. His facility in writing idiomatic instrumental music for almost all instruments then in use was legendary, and we can hear that clearly in his writing for the viol in these fantasias.

12 Fantasias for Flute without Bass, TWV 40:2-13 (Telemann, Georg Philipp)

Telemann’s violin fantasias exhibit mastery of not only compound melodic lines, but also of idiomatic writing for violin, [4] as Telemann himself was a self-taught violinist.

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